The museum around us:  

Every street a masterpiece every bathroom the Louve. Poping red and gold blazes on a delicate background of interlaced greys.  Complex patterns blend with ramdom texture providing unintentional depth to every compositon.  

We are surrounded by life and encased in action.  Even the very structures of our world are moving and changing one layer at a time.   

Backgrounds offer amazing character and content to an 'Unwilling Collaboration'.   They can dramatically set the tone and give the viewer a recognizable subject with which to begin devolving the interactions.    Each piece has an embedded timeline.  Images with apparent backgrounds make it simpler to see how each layer can be stripped apart and broken-down into individual actions.  These types of images highlight the parallels of the series to collage, the difference being, they are a grouping of artists rather then a mix of images.

In the basement of a bar in Brooklyn, Jackson Pollock's ghost was hanging out with some cans and markers.

Words are symbols for sound.  What makes sense is up to the listener.  This score reads like an atonal masterpiece of abstract opera.  The "emm's", "zeee's", "ohhh's" and "9's" pop off in the cacophonous surroundings of Union Square Station.

The position of the sun often plays a strong supporting roll in the overall composition.  From changing the brightness and intensity of colors to casting shadows, the time of day can change a 'bombed' out wall of paint into an illuminated canvas.  In this piece the smooth transitions in the background create a flawless setting to an emotional narrative with religious overtones.  Crowned and bearing the marks of stigmata, the abused subject appears in a free fall towards a world marked 'bastard',